When the Citroën DS19 was unveiled to the public in October 1955, it astonished the world with its elegant simplicity: the Goddess (nicknamed in French as DéeSse exactly evoking divinity) was sleek, aerodynamic and free of unnecessary ornament or chrome plating.
Created by the Italian stylist Flaminio Bertoni, every detail in its design had been clearly emphasised, such as the extremely elegant handles, the two sculpture-like bumpers, the discreet rear boot hinges hidden within the side panel trims that also housed the rear indicators. Yet, the curves accented by the sheet metal surfaces were pure and clean, only interrupted by skilfully distributed rubber seals, highlighting the perfect balance of its bodywork. A masterpiece.
